When you hear a story do you jump to take sides? What prompts you to make the decisions you do? It’s interesting that this is what I’m choosing to write about today since I started a class in bioethics last night. In our small groups, one of the things we discussed was having a framework, a common language enabling us to begin dialogues about important issues. Having a framework for the decisions you make enhances your dedication to the process. However, it can also lock out options, just look at the news outlets that stand on one side of the aisle or the other. Do you do this with your creative work? It’s interesting how our art can punctuate what’s going on around us!
On the creative front, it’s not uncommon for artists to think in extremes. If you sent a manuscript to a publisher and was rejected, negative self-talk ensues. When you’re a visual artist and you don’t get accepted to a show, your negative self-talk kicks in high gear. Why do we believe that it’s all or nothing?
Black and white thinking can inhibit the creative process. It prevents us from exploring what’s between the bookends of thought. It keeps us stuck in the rut of doing the same thing over and over, even if it doesn’t move our creative process forward. We find comfort in black and white thinking. The illusion is that black and white thinking keeps us in a place of knowing, when in fact, it keeps us in a narrow tunnel with little or no options.
Leaving our black and white stronghold doesn’t mean you’re abandoning your creative voice, or the principles you live by. It does mean that you open yourself to possibilities that will either move the needle or confirm your original thoughts. If it strengthens your beliefs, then you’ll move forward with stronger conviction.
We live in a polarized world. Why limit yourself creatively?